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Twenty-three years before the first demo of ChatGPT went public, The Matrix got two very important things right about AI and the future, things we still aren’t paying enough attention to: the necessity of friction to the human mind, and the danger of outsourcing thinking. When Agent Smith interrogates Morpheus, he explains the core problem with the first version of the Matrix. "Did you know that the first Matrix was designed to be a perfect human world. Where none suffered. Where everyone would be happy. It was a disaster. No one would accept the program. Entire crops were lost. Some believed that we lacked the programming language to describe your perfect world. But I believe that as a species, human beings define their reality through misery and suffering. The perfect world would dream that your primitive cerebrum kept trying to wake up from. Which is why the Matrix was redesigned to this, the peak of your civilization. I say your civilization because as soon as we started thinking for you, it really became our civilization, which is, of course, what this is all about." Agent Smith claims that pain and suffering are what humans require to orient themselves in an objective reality. But I think pain and suffering are simply the extreme version of what humans do require: friction.  Friction: the force that resists the relative motion of two bodies coming into contact. I know the table is real because my hand does not slip through it. I encounter opposition as I move through the world. In “The Problem of Pain,” CS Lewis argues that, for independent beings to coexist, there must be a fixed or inexorable nature through which they relate to each other. Air must exist so I can manipulate sound waves to communicate with you. Without an objective, fixed environment, there would be no distinction between minds. He writes, “But if matter is to serve as a neutral field, it must have a fixed nature of its own. If a ‘world’ or material system had only a single inhabitant, it might conform at every moment to his wishes– ‘trees for his sake would crowd into a shade’.” He goes on to say, “Again, if matter has a fixed nature and obeys constant laws, not all states of matter will be equally agreeable to the wishes of a given soul, nor all equally beneficial for that particular aggregate of matter which he calls his body. If fire comforts the body at a certain distance, it will destroy it when the distance is reduced.” Friction, then, is what separates an individual mind–the thing that interprets and makes meaning–from the objective reality we share. There is no friction between me and my desires. In fact, my desires are so inherent that the thoughts, “eat that apple,” or “smell that flower,” appear as me. But if I desire to walk down a road and a boulder is in my path? One I cannot think or wish away? Friction has been introduced. (Do not come at me with quantum mechanics, I am trying to make a point here, and you get it.) Sometimes friction appears in the form of pain, sometimes of frustration, effort, struggle, or simply the refusal of the world or other beings to conform to my will. And the effort of living with, conforming to, or altering that reality is where we begin to establish meaning and value. Blood, sweat, and tears is the phrase we use most often. This friction between our minds and an objective reality or nature is the cost of living in a real world and, by extension, the cost of our access to every good thing the real world has to offer–wisdom, most of all. Wisdom has always been seen as the most valuable of knowledge because it is embodied, tempered by judgment and guided by discernment, earned through the friction of effort and confrontation. People who did not just acquire information but submitted themselves to the process of learning, whatever that process might be, and were humbled by trying, failing, and being forced to start again, and then put that knowledge to the test by applying it to the real world, were said to have gained wisdom. It is a path paved with struggle, but those willing to walk it were rewarded with mastery. They may have lamented the difficulty of the journey, but it was the only way to reach the desired destination. And the harder the journey was, the fewer were the pilgrims willing to suffer it. As Tom Hanks’ character, coach Jimmy Dugan, says in A League of Their Own, “If it was easy, everyone would do it. The hard is what makes it great.” Knowledge and wisdom, neuroplasticity (your brain’s ability to change and adapt), every skill, including music, art, and agriculture, even the ability to see for yourself the mind-dwarfing vastness of the ocean, requires you to accept the cost of friction. Effort is the price of admission. Wisdom is the reward of the process. So what happens when friction gets removed from the process? When wanting and having are synonymous? We actually know the answer to this question because we’ve been answering it for hundreds of thousands of years. Humans are, after all, the masters of outsourcing. If a process is calorie-intensive, there is a biological and evolutionary benefit to outsourcing it. Digestion is a calorically expensive process, but so is finding food. The answer? Outsource a huge part of your digestion to bacteria! Then you can eat all kinds of stuff, and you don’t have to work as hard to find it.  There are too many skills to learn in one lifetime? I’ll outsource my time and cognition of animal husbandry to you while I focus on making fabric, and then we’ll trade! Escalators instead of stairs, climate control, cars, computers, industrial agriculture, all of these improve our quality of life by outsourcing the effort they replace, but they also have unintended, and sometimes unexpected, costs: pollution, sedentary bodies, disconnection from nature, loneliness, etc. But it didn’t stop there. We needed to find ways to outsource more, to consume more. Why? For profit–and control–of course. Enter capitalism and marketing. Consumers are more likely to buy in great numbers when the process of buying is as easy as possible. So, corporations take advantage of this. Reduce the friction. Make it easier to buy. Easier to read. Easier to navigate. More digestible, more accessible. Faster, smoother, more efficient, less waste, less trouble, less struggle. Optimize, perfect, chip away at the rough spots until everything is so smooth that we slide from desire to possession without ever having to give consent. Don’t think. Just buy. Adopt. Consume. Open your mouth and swallow; you don’t even have to chew or taste! Waiting? That’s friction. Struggle is friction. Failure? Boredom? Pain? Effort? All hurdles between wanting and having, obstacles to be removed. It’s the outcome they want, anyway. Meat without death, art without sacrifice, knowledge without cost, the scent of a rose without the thorns. But how poor a world when the scent of the rose exists in a bottle alone, and no one has ever smelt the bloom. Don’t worry, we will keep you so easily distracted that you’ll never realize you don’t actually know what a rose smells like. Again, the Matrix got this part right. Tank: Here you go, buddy; "Breakfast of Champions." Mouse: If you close your eyes, it almost feels like you're eating runny eggs. Apoc: Yeah, or a bowl of snot. Mouse: Do you know what it really reminds me of? Tastee Wheat. Did you ever eat Tastee Wheat? Switch: No, but technically, neither did you. Mouse: That's exactly my point. Exactly. Because you have to wonder: how do the machines know what Tastee Wheat tasted like? Maybe they got it wrong. Maybe what I think Tastee Wheat tasted like actually tasted like oatmeal, or tuna fish. That makes you wonder about a lot of things. You take chicken, for example: maybe they couldn't figure out what to make chicken taste like, which is why chicken tastes like everything. Apoc: Shut up, Mouse. With generative AI, what we are really being asked to do is take our natural inclination to make things more efficient, multiply it by capitalism’s demand for more and cheaper, remove the friction of the creative process–and with it the wisdom and discernment earned through trial and error–to make us more useful to capitalists. Easier to profit from. And the farther we distance ourselves from reality, the easier we are to manipulate. Maintaining full control over every area of our lives has always been costly. Most of us don’t make our own clothes, or even make our own cookies. We give up those skills in favor of focusing on other things. We now have more options for reducing friction than ever, so we must choose where to invest and where to outsource or rely on one another, as we always have.  But the danger of outsourcing thinking and creativity is different than that of outsourcing our cooking, because our mind is the seat of our existence, the throne from which the story of our lives gets told. And the more we rely on AI to think for us, to create on our behalf, the more of that seat we abdicate to the corporations who control the algorithms. In the name of ease, we are sacrificing more than we can imagine. As our personal abilities atrophy from lack of use, the skills, knowledge, even the intelligence stolen from us to build these models will be sold back to us. Sam Altman, the CEO of Open Ai, said, “We see a future where intelligence is a utility, like electricity or water, and people buy it from us on a meter.” Which means the greatest access to intelligence will always lie in the hands of those who can afford it. Worse, we will continue to lose the ability to withstand friction and accept it as the cost of our connection to reality. Learned helplessness will intensify. Skills will be lost because we cannot withstand the discomfort of earning them. Eventually, we will not even realize that we miss them or that we lack the benefits and virtues gained in the process. What will be left but to be absorbed by the Matrix, no more useful than a battery that sustains the system. Remember, the value of the story is in the telling of it. Process, what we learn from it about who we are and what it is to be alive, is everything. Process is life, life is striving, and striving is friction. Removing the struggle, the friction, and outsourcing the process is asking for the story to end.  "I say your civilization because as soon as we started thinking for you, it really became our civilization, which is, of course, what this is all about." Tower Room Publishing will never use generative AI. We are, and always will be, powered by people.

People over profit. Quality over quantity. Impact over income. Collaboration over competition. Merit over marketability.

Narrative framing refers to the way a story treats and positions characters, events, and decisions through tone, point of view, and consequences. It is the lens through which the story is told, guiding the reader's emotional and moral responses…often without the reader realizing they are being guided at all.

Books are inherently political, and we disregard that truth at our own peril.  If that statement makes you uncomfortable, if your first reaction is to close down and protect your beloved books by saying, “I don’t read for politics, I read to escape,” you’re not alone. Most of us read in large part for entertainment and escapism. In fact, entertainment is the door we choose to walk through every time we pick up a piece of fiction. But if it is the only reason, if you are willing to disregard everything else a book does in favor of entertainment, you are in greater danger than you realize. Let me explain why. Books are Political Every book ever written has been informed by the worldview of the author. And that worldview has, in turn, been shaped by the political climate in which they live. For that to make sense, let’s define politics in a broad sense. Politics: the process and systems by which societies structure power and distribute resources. Those political systems govern who gets to learn to read, who gets to write what books, what themes they can write about, which books get published, by whom, and who can access those books.  Unfortunately, the first priority of the power structures we live within isn’t to ensure the art that reaches the public represents the varied truth of human experience; it is to protect itself. It recognizes the power of fiction to shape worldviews, create empathy, and incite change. It recognizes that art and culture shape and create one another, so it will always default to prioritizing books and stories that uphold and protect the ruling class by centering their identity as normal or neutral, and suppress or destroy narratives that challenge it. If anyone should inherently understand the political power of books to incite change, create empathy, and spread knowledge, it should be authors and readers. So to see so many of them denigrate or entirely ignore that power in favor of guiltless entertainment is disheartening in the extreme, not only because of what it says about how they view books but because of what it says about how they view their fellow humans. Books as Entertainment Only You may say, “I read to escape my life. I just want to be entertained, not write a book report.” And you wouldn’t be entirely wrong. So, let's look at what happens when we read “brain off” for entertainment only without acknowledging the inherently political nature of books. As I’ve already pointed out, reading for entertainment is important. As Ursula K. LeGuin said of fantasy in her essay The Language of the Night, “Fantasy is escapist, and that is its glory. If a soldier is imprisoned by the enemy, don't we consider it his duty to escape? The moneylenders, the know-nothings, the authoritarians have us all in prison; if we value the freedom of the mind and soul, if we're partisans of liberty, then it's our plain duty to escape, and to take as many people with us as we can.” It is both natural and healthy to escape into a fictional narrative to restore hope and give ourselves a much-needed break from our daily struggles. But that isn’t where the story ends. Far from it, in fact. LeGuin wasn’t encouraging escapism from responsibility or engagement, but escapism into the freedom of mind and soul to imagine new worlds and reclaim what our world could be.  She doesn’t encourage mindless consumption of stories but excoriates the political oppression that causes us to need escapism in the first place. She recognizes that escapism and active engagement exist side-by-side. When we consume mindlessly, without recognizing the power inherent in stories and the deeply political nature of them, we are fed on a diet we did not actively choose. We are forced to eat what those in political power choose for us, merely for the hedonistic pleasure of it, without a thought for how the nutrition will affect our bodies in the long run. We become mindless consumers who unconsciously support and uphold those currently in power while ignoring those marginalized by the same power. This act is especially insidious because the stories we are fed are comforting. They represent us and how we hope to see ourselves. Because of that, we will then protect our right to access them and to resist change. In essence, this makes us agents of the system who are never forced to confront the fact that the system actively hurts, disenfranchises, exploits, and erases our fellow human beings to perpetuate itself. Why It’s Important When we read, even when we aren’t actively aware of it, we consume thoughts and ideas that shape our worldview. Being cognizant of that fact allows us to engage with the work more deeply and to interrogate what it means and how/whether we want it to affect us. It lets us enjoy the entertainment and escapism of books while also understanding how they affect us and the world we live in. But refusing to acknowledge the inherently political aspect of books is damaging because it makes us mindless consumers who will open our mouths for anything. It strips books of their power to inform and create change. It accepts the status quo as normal and neutral, which abandons the people whose identities have not been protected, who have not been represented but have actively been suppressed, attacked, or undermined. When you say “books are only political if you want them to be,” what you’re really saying is “I have the privilege of not having to think about the implications of the work I am consuming, and I don’t really care to know how it negatively affects those without the privilege.” To be human is to be in community—to care about those who stand next to us, because the welfare of one affects the welfare of all. And anything that asks us to empathize with one another, to understand those who do not look like us, to question systems of power and privilege—that is not a distraction from fiction’s purpose. It is the purpose. Books can delight and distract. But they also illuminate, challenge, and liberate. When we understand their power, we don’t have to give up escapism—we get to choose our escapes with open eyes. And maybe find the courage to bring some of those imagined freedoms back with us when we return to the real world.  

Without prose, there is no story. Only ideas in a writers head. How a story is told can elevate or debase it, can make the characters clearer or more opaque, can communicate themes and emotions that leave tears on cheeks or create sighs of unfulfilled frustration.

You know how much we love a chance to escape into fantasy worlds with compelling characters, so we’re thrilled to announce that the audiobook version of Blood and Silver is now live on Tower Room Publishing! If you love fantasy romances with a twist, this one's for you. In this retelling of the classic Little Red Riding Hood tale, we meet Alix La Rouge, who’s on a relentless quest for vengeance against the werewolves responsible for her grandmother’s death. But things take a surprising turn when Alix finds herself having to work alongside the very creatures she despises. It’s a wild ride full of tension, unexpected alliances, and, of course, steamy romance. The audiobook features stellar narration by Paige Reisenfeld and PJ Freebourn, who bring Nicole McKeon's vivid characters and world to life. Their dynamic performances capture every thrilling moment and emotional nuance, making it easy to get lost in the story. You can enjoy the 14+ hour audiobook of Blood and Silver wherever you are, whether it's commuting, working out, washing dishes, or relaxing by the pool. Just don't forget to turn the volume down if you happen to be listening to a spicy scene in the car. You know, just in case ;) According to reviewers, the story is a perfect mix of action, romance, and character development. It’s a page-turner (or should we say a "play-next" button pusher?) that keeps you hooked from start to finish. Fans have especially loved the unique spin on the classic fairy tale and the dynamic between characters. It’s been praised for its fast pace and the way it dives deep into the characters' complexities and flaws. So grab your headphones and get ready for an adventure. Head over to our website to check it out. We can’t wait to hear what you think!   p.s. don't forget to go give Paige and PJ a follow on social media and show them some support for their incredible work!

I can feel your panic after reading that headline. I felt the same way. Dread is sliding like ice down your spine as you think, I don't own my ebooks? Unfortunately, in most cases, you don't. When you purchase from platforms like Kindle or Apple Books, you aren't actually buying the book, you're licensing the right to read it using the approved device for as long as you have connected account. This falls under the umbrella of Digital Rights Management, or DRM. Picture DRM as the guard dog of the digital realm, protecting authors from pirates and making sure only the people who purchased the license have the right to access the content. It's more like leasing a book with invisible strings attached than owning it outright. These digital handcuffs mean no sharing, no lending, and definitely no passing that gripping thriller on to your bestie. It also means that if the platform decides to restrict or remove your access to those books, for whatever reason, you have no recourse. The good news is that, in most cases, when you buy directly from authors who self fulfill, you're essentially saying goodbye to DRM headaches. You own that copy of your ebook, just like you own your physical book.  In this age of licensing and digital rights management where platforms like Amazon control your access to the content YOU paid for, buying direct from authors is a little act of literary rebellion. Here are a few benefits to buying direct: 1. DRM-Free Bliss: Direct purchases mean a DRM-free copy of the book. No more compatibility issues or digital handcuffs – it's your book, and you can access it on any device you choose. 2. Supporting the Literary Wizards: Buying directly from authors puts more money in their pockets, which helps them support themselves so they can keep creating the stories you love. 3. Exclusive Bookish Treats: Some direct purchases even come with bonus goodies – think exclusive content, special formatting or art, or even a personal note from the author. It's like getting a backstage pass to the literary concert. 4. Ownership: While platforms like Kindle offer convenience, it's crucial to acknowledge the potential risks. They reserve the right to restrict or even remove your access to DRM-protected content. So if they make a mistake, change their platform, or lose licensing rights, you could lose access to your entire ebook library and hundreds, even thousands, of dollars. Remember, each direct purchase is not just acquiring a book; it's a deliberate choice to support the literary ecosystem in a way that benefits both creators and consumers. It gives you direct ownership of the content you paid for. That's why here, on Tower Room Publishing, we sell directly to readers. You deserve to OWN the copies you've paid for, whether that's an ebook or an audiobook. Happy reading, and may your literary adventures be DRM-free and full of joy! 📚✨

Gaslamp fantasy is often confused with steampunk, but they're not quite the same. While both genres share a love for the Victorian era, gaslamp fantasy focuses more on the fantastical elements, like magic and mythical creatures. It's like taking a stroll through a foggy London street and stumbling upon a hidden world of wizards and fairies. Think of it as a whimsical blend of fantasy, history, and a touch of that good ol' British charm.